A Midsummer Night’s Dream. Overture op. 21

A Midsummer Night’s Dream. Overture op. 21 – Bärenreiter-Verlag – MS. M. Deneke Mendelssohn b. 5, fol. 7-12|Mendelssohn Aut. 32, Inw.nr 6922 – Bodleian Library (Oxford, United Kingdom)|Biblioteka Jagiellońska (Cracow, Poland)

Germany — 1826

A Midsummer Night's Dream as a framework for a composer's life: Felix Mendelssohn's most popular work was one of his first and at the same time last compositions

  1. Felix Mendelssohn (1809–1847) first wrote Op. 21 in 1826 at the start of his career

  2. He wrote incidental music for Shakespeare’s famous play in 1842 only a few years before his death

  3. The incidental music, including the famous wedding march, was merged with the existing overture

A Midsummer Night’s Dream. Overture op. 21

MS. M. Deneke Mendelssohn b. 5, fol. 7-12 — Mendelssohn Aut. 32, Inw.nr 6922 Bodleian Library (Oxford, United Kingdom)|Biblioteka Jagiellońska (Cracow, Poland)
  1. Description
  2. Facsimile Editions (1)
Description
A Midsummer Night’s Dream. Overture op. 21

Among the overtures by the great 19th century composer Felix Mendelssohn, A Midsummer Night’s Dream is undoubtedly the most popular while simultaneously being one of his first and last compositions – Mendelssohn wrote Op. 21 in 1826 at the start of his career and wrote incidental music for the play by William Shakespeare in 1842 only a few years before his death at the age of 38. This composition full of dreamy imagery and floating elves is evidence of an idyllic summer that the 17-year-old composer spent at his family’s summer house with his siblings. The original manuscript of the work, written in Mendelssohn’s own delicate hand, offers an immediate textual witness to the creation process of one of the 19th century’s most beloved pieces of music.

A Midsummer Night’s Dream. Overture op. 21

Set in Athens, A Midsummer Night's Dream is a comedy consisting of several subplots that revolve around the marriage of Theseus and Hippolyta written ca. 1595/96 by William Shakespeare (1564–1616). The story takes place in Fairyland, a forest inhabited by fairies who manipulate the human characters while engaging in their own intrigues among themselves. It has been one of Shakespeare’s most popular and widely performed plays for centuries and thus attracted the attention of the famous German composer, pianist, organist, and conductor Felix Mendelssohn (1809–47).
Mendelssohn began writing his overture in E major, Op. 21 in 1826 when he was only 17 years old and originally designed it as an independent piece that was not intended to serve as musical accompaniment for A Midsummer Night's Dream or any other preexisting work. However, he had read a German translation of the play earlier in the year and it must have subconsciously influenced his composition, which he returned to in 1842. The incidental music, Op. 61, incorporated the overture with the new compositions and was created at the behest of King Frederick William IV of Prussia (1795–1861). Among the incidental music, the “Wedding March” is the most famous and commonly played piece.

Codicology

Alternative Titles
Ein Sommernachtstraum - Ouvertüre op. 21
Origin
Germany
Date
1826
Genre
Language
Artist / School

Available facsimile editions:
A Midsummer Night’s Dream. Overture op. 21 – Bärenreiter-Verlag – MS. M. Deneke Mendelssohn b. 5, fol. 7-12|Mendelssohn Aut. 32, Inw.nr 6922 – Bodleian Library (Oxford, United Kingdom)|Biblioteka Jagiellońska (Cracow, Poland)
Bärenreiter-Verlag – Kassel, 2009
Facsimile Editions

#1 Ein Sommernachtstraum op. 21

Bärenreiter-Verlag – Kassel, 2009

Publisher: Bärenreiter-Verlag – Kassel, 2009
Commentary: 1 volume by Friedhelm Krummacher
Languages: English, German, Japanese
1 volume: This facsimile is not complete. Reproduction of the entire original document as detailed as possible (scope, format, colors). The pages are represented on a larger white background. The binding may not correspond to the original or current document binding.
Facsimile Copy Available!
Price Category: €
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