Albrecht Dürer - Small Xilographic Passion - Nuremberg, 1511
Aside from being a brilliant artist, Albrecht Dürer was also a shrewd businessman who recognized that he could make more money from his woodcuts, which could be published for a wide audience, than from commissions of individual paintings. One of his greatest commercial successes was the so-called Small Passion, which was published in 1511 by Hieronymous Höltzel in Nuremberg. The codex consists of 36 masterful woodcuts and a title page without any text. The popularity of Dürer’s work required the printing of numerous editions and speaks to the religious significance of the Passion in the Late Middle Ages and its subsequent popularity as an artistic subject.
Albrecht Dürer - Small Xilographic Passion - Nuremberg, 1511
This impressive work dedicated to the Passion of the Christ originated from the greatest artist of the German Renaissance. In 1511, Albrecht Dürer published his woodcut series of the so-called Small Passion as a book, which was published by Hieronymous Höltzel in Nuremberg. With his Passion, Albrecht Dürer created a brilliant attestation to the religiosity associated with the Passion in the Late Middle Ages and a significant work of art history, which has not forfeited any of its fascination to this day.
The Greatest Artist of the German Renaissance
Albrecht Dürer was undertaking a grand tour of Italy from 1505 to 1507 and gathered formative impressions for his own art in the Promised Land of the Renaissance. Once returned from Italy, he busied himself with religious subjects such as the life of Mary, the Passion of the Christ, and the Apocalypse. Finally in 1511, Dürer published four series of religious woodcuts in book form, the famous Small Passion among them. The book has 36 full-page woodcuts concerning the theme of the Passion of the Christ, as the title already indicates.
A True Bestseller
This is consistent with a period in the Late Middle Ages when religiosity associated with the Passion was widespread and the Passion was also a popular artistic theme. In private devotion and prayer with the striking images directly before their eyes, the faithful were intended to immerse themselves in the so-called “compassio” and empathize with Christ’s suffering directly. Dürer’s Small Passion became a true bestseller largely due to the theme’s great popularity and was continuously reprinted into the 20th century.
The Passion of the Christ in Brilliant Imagery
36 woodcuts and a title page give the beholder an understanding of the Passion story. Albrecht Dürer, who was already recognized by his contemporaries as a highly-talented graphic artist, particularly for his 1498 woodcut series on the Apocalypse, followed the traditional iconography, and yet conveyed his own unmistakable and perfected style. The series begins with the Fall of Man and the Expulsion from Paradise. After that comes the actual Passion through the death of Christ, the Resurrection, and the Ascension. Dürer additionally inserts some scenes from Genesis and the childhood of Christ into his series. The scene of Judgement Day serves as the last page of the series.
A Modern Book ca. 1500
The woodcuts (also called xylography) with the visual representations are always printed on the right page of the book. The woodcuts of the Small Passion measure 127 x 98 mm (in comparison to the Great Passion measuring 400 x 300 mm). The great popularity of the work would lead to their being reprinted in Venice with Italian text in 1612.
Codicology
- Alternative Titles
- Albrecht Dürer - La Piccola Passione xilografica - Norimberga, 1511
Albrecht Dürer - Kleine xylographische Passion - Nürnberg, 1511 - Size / Format
- 84 pages / 21.0 × 15.0 cm
- Origin
- Germany
- Date
- 1511
- Epochs
- Style
- Genre
- Language
- Illustrations
- 37 masterly full-page woodcuts on the Passion of Christ
- Artist / School
- Albrecht Dürer (1471–1528)
Albrecht Dürer - Small Xilographic Passion - Nuremberg, 1511
The Resurrection
Still dressed in a burial robe and holding a staff with a cross and banner blowing dramatically in the wind, Christ is shown emerging in splendor from his tomb after three days. On the right, a guard armed with a halberd tries to shield his eyes from the sunburst appearing behind Christ’s head, while on the left, the Three Marys are shown in the distance bathed in sunlight as they make their way to the tomb. The densely designed image uses overlapping forms and stark contrast.
Albrecht Dürer - Small Xilographic Passion - Nuremberg, 1511
The Flagellation
One of the most iconic scenes of the Passion is presented here in a combination of masterful architecture and grim faces. Christ stands tied to a column stripped to the waist as two soldiers flog him, stripped of their armor to free their movements, while richly dressed Pharisees smugly look on with crossed arms.
Christ is calm and composed, portrayed in profile, but his floggers’ faces are grotesque, even demonic, with dark eyes. The perfection of the architectural perspective contrasts sharply with the disheveled appearance of Christ’s oppressors. A third soldier, portrayed in profile with ape-like facial features, points to Dürer’s iconic “AD” monogram engraved at Christ’s feat, implying the guilt of the artist and all sinners in the suffering of the Redeemer.
#1 Albrecht Dürer - La Piccola Passione xilografica - Norimberga 1511
Language: Italian
(1,000€ - 3,000€)
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