Art of the Moghul Era

Art of the Moghul Era – Coron Verlag – Several Owners

India — 16th–18th century

From probably the richest and most powerful empire of modern times: ten gorgeous miniature pages as a fascinating insight into the rich and diverse artistic tradition of the Moghul period in India

  1. Founded in 1526, the Mughal Empire was an Islamic superpower that ruled over most of the Indian subcontinent

  2. The Mughals were descended from Genghis Khan and Timur, but became increasingly Indian and Persian due to dynastic marriages

  3. Rembrandt's art collection, auctioned in Amsterdam in 1656, included the first album with Indian miniatures found in Europe

Art of the Moghul Era

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  1. Description
  2. Detail Picture
  3. Single Page
  4. Facsimile Editions (1)
Description
Art of the Moghul Era

The Moghul dynasty ruled over most of the Indian subcontinent for more than three centuries. Their empire was not only the world's richest state in the modern era, but also developed its own unique artistic style. Mughal painting combined the older Indian artistic tradition with Islamic, Persian and even Chinese influences, resulting in a particularly refined and elaborate aesthetic. This continued to have an impact on subsequent art styles, especially in northern India. This collection of ten gorgeous full-page miniatures offers a wonderful insight into this rich and diverse artistic tradition from the period between the 16th and 18th centuries. The very varied depictions allow the beholder to appreciate the artistic approach to human and animal figures, which are often found in beautiful, dreamy landscapes.

Art of the Mughal Era

Founded in 1526, the Mughal Empire was an Islamic superpower that ruled over most of the Indian subcontinent and parts of Afghanistan for 325 years. The ruling class could trace their roots to both Genghis Khan (ca. 1162–1227) and Timur (1336–1405) also known as Tamerlane, but became increasingly Indian and Persian due to dynastic marriages. At its height, Emperor Aurangzeb (1618–1707) ruled over one quarter of the world’s population as well as the largest economy in the world with a GDP ten times that of France under Louis XIV (1638–1715). This tremendous wealth, when paired with the massive polyglot population, produced a rich cultural and artistic heritage. It evolved from Persian miniature painting, which was itself heavily influenced by Chinese art, in addition to influences from the Hindu, Jain, Turkic, and Buddhist artistic traditions. It is distinguished from its Persianate predecessors by adopting a more realistic style for plants, animals, and portraits. Other elements of the Persian artistic tradition, especially richly-decorated borders, were continued and refined. Art from the Orient was a source of great fascination in Early Modern Europe. When Rembrandt's art collection was auctioned off in Amsterdam in 1656, the first album with Indian miniatures found in Europe was among them. The ten folios assembled here represent are from this historic and exotic collection. Each of the original facsimile edition pages consists of two parts: an interior piece with the actual scenic representation and matting richly ornamented with gold and silver.
The ten folios assembled here represent a splendid sample of this rich, diverse artistic tradition created between the 16th and 18th centuries:
1. Emperor Akbar Tames an Elephant, 1609/10
2. Imperial Hunting Falcon, 1st quarter of the 17th century
3. Mughal Ladies on the Lakeside Terrace, 3rd quarter of the 18th century
4. Loving Couple on the Harem Terrace, 2nd half of the 17th century
5. Mughal Lady in the Harem, 2nd half of the 17th century
6. Loving Couple at the Window, 1st half of the 18th century
7. Princess at the Fireworks, 2nd half of the 17th century
8. The Lady Minstrel, ca. 1580
9. The Resting Prince, ca. 1800
10. Emperor Akbar Gardening, End of the 16th century

Codicology

Alternative Titles
Kassette Kunst der Moghulzeit
Size / Format
10 leaves / 38.5 × 26.0 cm
Origin
India
Date
16th–18th century
Language
Illustrations
10 miniatures
Content
Ten leaves from important manuscripts

Available facsimile editions:
Art of the Moghul Era – Coron Verlag – Several Owners
Coron Verlag – Gütersloh, 1991
Limited Edition: 1495 copies
Detail Picture

Art of the Moghul Era

A Princess at the Fireworks

This festive miniature shows a princess seated in a golden chair with a Roman candle in hand and surrounded by attendants and other ladies of the court. The artist makes generous use of gold leaf to show fireworks being lit in the palace, on ships in the river, and on the opposite bank as well as rockets exploding in the distance during the celebration of Shab-e-Barat. The seated woman is Princess Zib an-Nisa (1639–1689), an interesting and well-educated personality of the Moghul court who was already a famous poet in her own lifetime.

Art of the Moghul Era – Coron Verlag – Several Owners
Single Page

Art of the Moghul Era

Lovers at the Window

Looking deeply into each other eyes, two royal lovers are pictured in an intimate embrace that is emphasized by the artist who depicts them in a “closeup” as though they were about to share a kiss in a modern movie. Covered in pearls, rubies, and other gems, both figures stand before a burnished gold background symbolizing the intoxicating feeling in which young lovers can often lose all their senses.

European influences can be discerned both in the construction of the scene itself as well the gorgeous purple frame with intricate floral patterns executed in gold leaf that surrounds it. Rather than depicting a specific pair, this is an idealized portrait of a prince with his lover, which is consistent with the traditions of Indian art.

Art of the Moghul Era – Coron Verlag – Several Owners
Facsimile Editions

#1 Kassette Kunst der Moghulzeit

Coron Verlag – Gütersloh, 1991
Art of the Moghul Era – Coron Verlag – Several Owners
Art of the Moghul Era – Coron Verlag – Several Owners Copyright Photos: Ziereis Facsimiles

Publisher: Coron Verlag – Gütersloh, 1991
Limited Edition: 1495 copies
Binding: Ornate case; golden yellow cover with dusty blue side panels, light blue spine lettering, and a cover illustration.
Commentary: 1 volume
Language: German
1 volume: 10 leaves under passe-partouts: Exact reproduction of the original document (extent, color and size) Reproduction of the entire original document as detailed as possible (scope, format, colors). The binding may not correspond to the original or current document binding.
Facsimile Copy Available!
Price Category: €
(under 1,000€)
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