Liber Iesus and Treatise on Grammar by Donatus
This is a rare primer that was beautifully illuminated for Maximilian Sforza, eldest son of the Duke of Milan. It is a combination of both a grammatical handbook and a morally instructive treatise. Although primarily concerned with Latin, Italian and German texts are also included. This is probably the most gorgeous specimen of medieval Europeβs most popular Latin textbook, which was likely written in the 4th century.
Liber Iesus and Treatise on Grammar by Donatus
Illuminated primers intended for the education of children are among the rarest manuscripts produced during the Middle Ages. This primer was commissioned by the Duke of Milan, Ludovico il Moro (1452β1508), for his eldest son Maximilian Sforza (1493β1530) and features numerous splendid portraits of the Italian princeling. The text consists primarily of two parts, the Liber Iesus and the Grammatica del Donato, an anonymous adaptation of the Ars grammatica by Aelius Donatus, a Roman grammarian and teacher of rhetoric active in the mid-4th century and tutor of Saint Jerome (347-420). The work by Donatus belongs to the literary genre of the Ianuae and contains both grammatical and moralistic treatises. It is followed by the Disticha Catonis, a Latin collection of proverbial wisdom and morality by an unknown author named Dionysius Cato, who lived in the 3rd or 4th century. It was the most popular Latin textbook of the Middle Ages and was translated into numerous languages. Other elements of the primer include Italian poems, German dialogues, and prayers in Latin. The text was written down by a Milanese scribe named Giovanni Battista Lorenzi, whose skilled text has survived in many works but about whom little is known. It is adorned with wonderful full-page miniatures from various famous artists including Giovanni Ambrogio de Predis (ca. 1455 β ca. 1508), the Master of the Epithalamion of Jason de Mayno, Giovan Pietro Birago (active 1471β1513), the Master of Anna Sforza, and Boccaccio Boccaccino (ca. 1467 β ca. 1525).
Codicology
- Alternative Titles
- Libri per una educazione rinascimentale : Grammatica del Donato : Liber Iesus
Libretto
Libretto del Iesus
Libretto del ABC
Buch Iesus und die Abhandlung der Grammatik von Donatus - Size / Format
- 28 pages (Ms. 2163) + 108 pages (Ms. 2167) / 19.8 Γ 13.8 cm (Ms. 2163) + 27.4 Γ 17.7 cm (Ms. 2167)
- Origin
- Italy
- Date
- Late 15th century
- Epochs
- Style
- Script
- Humanistic minuscule Square capitals
- Illustrations
- 11 large miniatures and various decorated initials, tituli and borders
- Content
- Primer for Maximilian Sforza with the Liber Iesus, the Grammatica del Donato, the Disticha Catonis, Italian poems, German dialogs and Latin prayers
- Patron
- Ludovico il Moro (1452β1508), Duke of Milan
- Artist / School
- Giovanni Battista Lorenzi (scribe)
Ambrogio de Predis (illuminator) - Previous Owners
- Maximilian Sforza (1493β1530)
Liber Iesus and Treatise on Grammar by Donatus
Pater Noster
While most of the miniatures in this magnificent primer show allegorical and everyday scenes, in which Maximilian himself is often depicted, the Latin Lord's Prayer ("Pater noster") is introduced by a representation of Christ as Salvator Mundi. In keeping with the end of what is probably the most famous Christian prayer - "deliver us from evil" - Christ appears here as the "Savior of the world" with a cross halo, a gesture of blessing and a golden orb in his left hand. The double-framed, small miniature evokes associations with panel paintings on the one hand, but also takes up the initial P of the prayer, whose golden letters surround Christ's head.
Liber Iesus and Treatise on Grammar by Donatus
Portrait of Maximilian Sforza
Ambrogio de Predis was the court painter to Ludovico Maria Sforza, il Moro, and was particularly renowned for his masterly portraits. No wonder, then, that he painted this full-page portrait of Maximilian on fol. 1v as the prelude to his primer. Interestingly, de Predis also worked at times as a court painter for Bianca Maria Sforza and her husband, Emperor Maximilian I, after whom Maximilian Sforza was named.
No more than six years old at the time of creation, Maximilian is shown in the traditional profile view - the typical mode of representation for portraits of rulers since antiquity. His soft, childlike facial features stand out against the deep black background, with which the boy's dark armor almost seems to merge. His red cap, however, which corresponds to the fashion of the time, stands out clearly and also overlaps the narrow golden frame of the picture.
#1 Grammatica del Donato e Liber Iesus La Grammatica Sforza
Language: Italian
(1,000β¬ - 3,000β¬)
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