Peterborough Bestiary

Peterborough Bestiary – Faksimile Verlag – MS 53, ff. 189r-209v – Parker Library, Corpus Christi College (Cambridge, United Kingdom)

Peterborough Abbey / Cathedral (United Kingdom) β€” Ca. 1300–1310

The whole variety of earthly fauna in bright colors and on golden backgrounds: over 100 animals and mythical creatures, often captured in dynamic motion in a magnificent Gothic bestiary

  1. One finds 100+ miniatures with gold grounds or frames with various animals, birds, and mythical creatures

  2. Gothic depictions of animals, often shown in a burst of movement, are directly integrated in the text

  3. The text is based on the Physiologus, composed ca. A.D. 200, a Christian text concerned with nature

Peterborough Bestiary

Facsimile Copy Available!
Formerly 3,980  β‚¬
Special Offer until 01/31/2025 (like new) 999  β‚¬
  1. Description
  2. Detail Picture
  3. Single Page
  4. Facsimile Editions (2)
Description
Peterborough Bestiary

In the 12th and 13th centuries, bestiaries were real bestsellers. The animal poems were particularly widespread in England and France and appeared in many wonderfully illuminated manuscripts, whose texts not only tell of native animals but also of all kinds of non-European and even mythical animals and hybrid creatures. The described characteristics and behaviour of the beasts are interpreted in a Christian moralizing sense and often combined with advice for the reader. One of the most beautiful later examples of such animal poetry is the Peterborough Bestiary. In over 100 wondrous miniatures, animals such as unicorns, phoenixes, elephants and dragons are depicted against multicolored or golden backgrounds. Almost every paragraph has been artfully illuminated by the talented Master of the Jesus College. Each passage is also introduced by a gold-decorated initial, usually adorned with exuberant tendrils, lending the work not only visual clarity but also opulence. A true pinnacle of the bestiary tradition!

Peterborough Bestiary

The Peterborough Bestiary represents quite an influential example of the much beloved era of 12th century animal-themed manuscripts. Countless small picture fields illustrate the descriptive and interpretive text, which is illustrated with wonderful initials and tendrils. Within this text one finds familiar as well as exotic animals and mythical creatures, which are displayed as lovingly and realistically as possible.

Fantastic Depictions of Animals

In over 100 miniatures on gold grounds or in gold frames, one finds animals such as lions, beavers, different sorts of birds, crocodiles, and elephants, but also mythical creatures like unicorns, phoenixes, and satyrs. They illustrate the relevant text passages and include exhaustive detail in describing each animal individually, most of which have a Christian or moral connection. For example, there is an illustration of a crow with the purpose of representing the love and worry one experiences when raising children. The text is based on the Physiologus, composed ca. A.D. 200, which was an early Christian text that concerned itself with nature. Over the following centuries, Physiologus was amended and added to many times (for example, through Isidore of Seville’s Etymologiae), and translated into many other languages, which inevitably changed it as well. Moving to the High Middle Ages, such descriptions of nature and myth became beloved subjects and offered illuminators the opportunity to be inspired to create their own depictions of animals in nature.

Glorious Design

It was not always an easy task for the artists to paint pictures of exotic animals, because they had never seen such creatures before. The only available templates were based off the descriptions of others that themselves drifted into the fantastic. The artist of the Peterborough Bestiary designed his manuscript in a diverse way. The depictions of animals are directly integrated with the text itself and not isolated in boxes separate from the words. The small rectangular pictures of fields are brightly colored and richly furnished with gold. The artistic style appears very Gothic in the natural depictions of the animals, who are often shown in a burst of movement. In addition to the animal representations, the other artistic designs of the bestiary are inspiring. Many initials adorn the text alongside the artful foliage. The initials are partially filled with wonderful portraits of men and women, some of them ornamentally designed.

Exotic Magic

In these magnificent pictures, the reader could plunge him or herself into the study of these informative but also amusing readings and can get to know the exotic realms, which they had surely never seen before. This instance of the exotic and unknown is owed to the presence of such mystical creatures as the unicorn or satyr, who are juxtaposed with more typical animals in everyday life. The fact that such bestiaries were made particularly in England and Northern France for both clerical and lay patrons, testifies to both their educational and entertainment value, which, despite the advances of scientific knowledge, still shines through for the modern reader and beholder.

Codicology

Alternative Titles
Bestiarium aus Peterborough
Bestiario di Peterborough
Size / Format
44 pages / 34.8 Γ— 23.6 cm
Date
Ca. 1300–1310
Style
Script
Gothic Textura
Illustrations
104 miniatures, 108 initials, various drolleries and marginalia adorn all pages of the manuscript
Content
Bestiary
Artist / School
Previous Owners
Peterborough Abbey
Matthew Parker (1504–75)

Available facsimile editions:
Peterborough Bestiary – Faksimile Verlag – MS 53, ff. 189r-209v – Parker Library, Corpus Christi College (Cambridge, United Kingdom)
Faksimile Verlag – Lucerne, 2003
Limited Edition: 1480 copies (co-edition with Salerno Editrice)

Peterborough Bestiary – Salerno Editrice – MS 53, ff. 189r-209v – Parker Library, Corpus Christi College (Cambridge, United Kingdom)
Salerno Editrice – Rome, 2004
Limited Edition: 1480 copies (co-edition with Faksimile Verlag Luzern)
Detail Picture

Peterborough Bestiary

Dragons

Whether people in the Middle Ages actually believed that there were exotic regions of the world that were inhabited by dragons or if the fearsome mythical creatures were intentionally utilized for their symbolism by artists and scholars, they are present in virtually all medieval bestiaries. The upper miniature shows a dragon with a second head on the end of its tail. Meanwhile, another dragon battles in the sea with some kind of horned monster who has the dragon’s head in its mouth.

Peterborough Bestiary – Faksimile Verlag – MS 53, ff. 189r-209v – Parker Library, Corpus Christi College (Cambridge, United Kingdom)
Single Page

Peterborough Bestiary

The Lion

In medieval allegory, the lion was a symbol of power, strength, courage, and generosity with symbolic significance to both the Judeo-Christian tradition as well as in ancient mysticism. The page at hand features both a miniature and a historiated initial with a seated lion looking out at the beholder. All is depicted in rich shades of red and blue with shimmering gold leaf.

In the lower left corner, a miniature shows five scenes from the life of a lion: it is being hunted in one and attacked by a snake in another, but in the other three we see animal, ape, and man alike fall prey to the mighty king of beasts. Birds fill the artfully rendered tendril borders, including a hybrid creature with an archer emerging from the body of a falcon.

Peterborough Bestiary – Faksimile Verlag – MS 53, ff. 189r-209v – Parker Library, Corpus Christi College (Cambridge, United Kingdom)
Facsimile Editions

#1 Bestiarium aus Peterborough

Faksimile Verlag – Lucerne, 2003

Publisher: Faksimile Verlag – Lucerne, 2003
Limited Edition: 1480 copies (co-edition with Salerno Editrice)
Binding: Blind-tooled brown leather binding, a faithful replica of a typical Cambridge binding showing motives of the griffon, the lion and the dragon.
Commentary: 1 volume by Christopher de Hamel and Lucy Freeman Sandler
Languages: English, German

The scholarly commentary volume provides a complete transcription and translation of the texts.
1 volume: Exact reproduction of the original document (extent, color and size) Reproduction of the entire original document as detailed as possible (scope, format, colors). The binding may not correspond to the original or current document binding. All sheets are trimmed in accordance with the original and stitched to the contents by hand.
Facsimile Copy Available!
Formerly 3,980  β‚¬
Special Offer until 01/31/2025 (like new) 999  β‚¬

#2 Bestiario di Peterborough

Salerno Editrice – Rome, 2004

Publisher: Salerno Editrice – Rome, 2004
Limited Edition: 1480 copies (co-edition with Faksimile Verlag Luzern)
Binding: Blind-tooled brown leather binding, a faithful replica of a typical Cambridge binding showing motives of the griffon, the lion and the dragon.
Commentary: 1 volume (96 pages) by Christopher De Hamel, Lucy Freeman Sandler, and Valerio Marucci
Language: Italian
1 volume: Exact reproduction of the original document (extent, color and size) Reproduction of the entire original document as detailed as possible (scope, format, colors). The binding may not correspond to the original or current document binding.
Facsimile Copy Available!
Price Category: €€
(1,000€ - 3,000€)
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