Vatican Pontifical and Benedictional
This magnificently illuminated manuscript was created around 1480-90 at the behest of a member of the French royal family, probably King Charles VIII of France himself. It appears to have originally been commissioned as a royal gift to the Archbishop of Rouen. The text is accompanied by 10 large and 25 smaller miniatures, hundreds of large and small decorated initials and countless elegant geometric borders with floral patterns and fleurs-de-lys, the royal symbol of France. The work is considered one of the most extensively illuminated liturgical manuscripts of the late Middle Ages and was probably created by the so-called Master of Jacques de Besançon and his workshop, a master of book illumination who was active in Paris between 1475 and 1500. The manuscript offers a uniquely artistic insight into the liturgical practice of the late Middle Ages and is therefore a valuable testimony to this period of transition.
Vatican Pontifical and Benedictional
This magnificent manuscript combines the contents of two liturgical books, the performance of which was reserved for the bishop. The first and most densely illuminated part β fols. 1r-60r β is the Benedictional. It contains the textual basis for various benedictions or blessings that were offered by the bishop during mass on various feast days. The second, far more extensive part is a Pontifical (fol. 60v-167v). It provides the procedures and associated texts of episcopal rituals such as the consecration of the altar or the coronation of a king.
Valuable Glimpses Into the Late Medieval Liturgy
The manuscript thus gives us a comprehensive insight into the liturgy of the late Middle Ages in northern France β both in terms of its content, the selection and performance of the rituals and blessings, as well as their illumination. In addition to key events of Christian salvation history, some miniatures in the pontifical also depict contemporary liturgical scenes. They provide a rare impression of the furnishing of church interiors at the time, for example with textiles and liturgical vessels, of the different garments of the clergy in particular, but also the procedures of individual rituals such as the ordination of priests, the consecration of monks and nuns or the consecration of a queen.
Gold and Silver Shining Illumination
The rich illumination of the manuscript is very special for the time of its creation. While liturgical books in the Early and High Middle Ages had the most splendid illuminations, this trend declined sharply towards the 15th century. The Vatican Pontifical and Benedictional, however, contains not only ten almost full-page and 25 smaller miniatures, but also hundreds of differently sized, mostly gold-embellished decorated initials as well as numerous artful borders, which often frame entire pages with their geometric and floral patterns and are particularly ornate. The layout of the pages with large miniatures, which are accompanied by a few lines of text with a large initial and a wide border frame, is remarkably reminiscent of contemporary books of hours rather than liturgical manuscripts.
A Royal Gift
This opulent masterpiece was probably created around 1480/90 by the so-called Master of Jacques de BesanΓ§on (fl. around 1475β1495/1500) and his Parisian workshop on behalf of the French royal court. This is indicated by the Valois coat of arms and the numerous fleurs de lys. The French King Charles VIII (1470β1498) is therefore a possible patron. The manuscript probably served him as a precious gift to the Archbishop of Rouen, as indicated by some aspects of its content. The Vatican Pontifical and Benedictional was therefore intended either for Guillaume d'Estouteville (c. 1403β1483) or his successor Robert de Croismare (c. 1445β1493) and was most likely used in Rouen Cathedral.
Codicology
- Alternative Titles
- Benedictionale
BΓ©nΓ©dictionnaire et pontifical
Pontifical of Charles VIII - Size / Format
- 334 pages / 35.0 Γ 24.0 cm
- Origin
- France
- Date
- Ca. 1480β90
- Epochs
- Style
- Genre
- Language
- Script
- Gothic textura
- Illustrations
- 10 large miniatures, 25 small miniatures, and hundreds of decorative initials both large and small as well as elegant borders with floral and geometrical patterns and fleurs-de-lys
- Patron
- Charles VIII, King of France (1470β1498)
- Artist / School
- Master of Jacques de BesanΓ§on (fl. c. 1475β1495/1500)
Vatican Pontifical and Benedictional
Archangel Michael
Depictions of St. Michael as an angelic warrior are among the oldest in Christian art and originate from the reign of Emperor Constantine in the early 4th century. Often depicted wearing armor in the style of an officer in the Byzantine army, even in the West, this is a late medieval example depicting him in contemporary armor. The cuisses, greaves, and poleyns protecting his legs are especially detailed and realistic. Michael also holds a shield with the fleur-de-lys of the French royal coat of arms.
Vatican Pontifical and Benedictional
The Resurrection of Jesus
Bearing the wounds of the Crucifixion, holding a cross-staff, and adorned by a cruciform halo, Jesus emerges from his tomb, which is depicted as a stone sarcophagus. The angel of the Lord, who according to the Gospels rolled back the stone and will inform Jesusβ followers that he is arisen and to seek him in Galilee, is depicted sitting on the open lid with bright red skin and clothed in gleaming white robes.
The frightened soldiers who had been guarding the tomb are armed and armored in the manner of late medieval heavy infantry, which were typically mercenaries who were widely despised for their ruthless and greedy behavior. A wonderful frame surrounds the scene with fleur-de-lys, acanthus leaves, berries, roses, and other flowers.
#1 Benediktionale und Pontifikale Vaticanus Latinus 3748
Language: German
(3,000β¬ - 7,000β¬)
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