Schedel's World Chronicle

Schedel's World Chronicle

The greatest and most significant project from the early period of book printing was the brainchild of Hartmann Schedel (1440–1514), who assembled some of the most important figures in Nuremberg, a vibrant center of the German Renaissance, for his magnum opus. Patronized by the moneyed burghers and humanists of the city, the group assembled by Schedel included Michael Wolgemut – the teacher of Albrecht Dürer – and Wilhelm Pleydenwurff as the artist of the grandiose woodcuts, with Anton Koberger acting as the printer. The result was Schedel’s World Chronicle, printed in 1493 under the Latin title Liber Chronicarum, with a German translation by Georg Alt, the Weltchronik published simultaneously.

A Renaissance Man Among Like-Minded People

Hartmann Schedel (1440–1514), a Nuremberg doctor, humanist, and historian followed the aim of giving a comprehensive, comprehensible ordering of the world with his chronicle. He succeeded in ingeniously implementing this intention. Nuremburg, the Franconian metropolis and South German center of humanism and art ca. 1500, offered the ideal conditions for it. Schedel, whose comprehensive library is still famous today, was esteemed in the highest circles of society in Nuremberg and consorted with all of the great minds of the city. As a result, he was successful in filling many of the burghers with excitement for the project and winning over the greatest names for it.

A History of the World

The chronicle spanning from the creation of the Earth up to the year 1493 is subdivided into six parts respective to the six ages of the world as was then typical. Thus, following the introduction by Isidore of Seville, Hartmann Schedel appends it with a seventh and eighth part. In this attempt at an ordering of the world, the Renaissance man collected biblical stories, historical events and people, curious and sensational tales of wonder, and geographic information. As it was published in 1493, Schedel’s World Chronicle reflected the current state of knowledge at that time.

A Project without Precedent

The ambitious book project was transcribed in the famous printing shop of Anton Koberger. 100 typesetters and printers at 18 presses busied themselves with work on the world chronicle for fifteen months. On 568 pages, the work collects over 1,800 woodcuts – an unprecedented abundance of images. The responsibility for this artistic design rested with the exceptional artist Michael Wolgemut together with Wilhelm Pleydenwurff and his workshop. This is the atelier where the most famous Nuremberg artist of this time, Albrecht Dürer did his apprenticeship until the year 1490. Whether he too participated in the book project is fiercely debated among researchers.

The Fascinating Pictorial Adornment

Schedel’s World Chronicle contains numerous illustrations to stories from the Bible, lives of saints, miracle stories, and the like. Thus, there is a page with a list and depiction of wondrous creatures from antique sources, similar to the miniatures of medieval bestiaries. Yet the illustrations of the geographical parts of the book are especially famous: 29 double-page cityscapes, a world map, and a map of Europe adorn the chronicle. Particularly outstanding is the woodcut of Nuremberg with the Kaiserburg, the Imperial Castle, which is enthroned above the city. However, Rome, Paris, Cologne, and countless other cities were also visually recorded and sometimes show the oldest realistic depictions of those cities. Schedel did not want any fantasy, but rather the most realistic views possible, which illustratively accompany the descriptions of the cities.