The Augsburg Passion from 1480

The Augsburg Passion from 1480 – Gustav Kiepenheuer – 4 Inc.c.a. 169 – Bayerische Staatsbibliothek (Munich, Germany)

Augsburg (Germany) — November 18, 1480

The medieval bestseller of Passion literature par excellence in a wonderfully illustrated incunable by Anton Sorg: Heinrich von St. Gallen's popular treatise on the Passion of Christ with 28 full-page woodcuts in vibrant colors

  1. Anton Sorg the Younger (c. 1430–1493) was one of the most prolific and successful printers and publishers of the 15th century

  2. He also published Heinrich von St. Gallen's treatise on the Passion of Christ, written at the end of the 14th century

  3. He adorned the incunable with 28 full-page, colored woodcuts depicting key scenes from the Passion

The Augsburg Passion from 1480

Facsimile Copy Available!
Price Category: €€
(1,000€ - 3,000€)
  1. Description
  2. Detail Picture
  3. Single Page
  4. Facsimile Editions (3)
Description
The Augsburg Passion from 1480

Anton Sorg the Younger (c. 1430–1493) was one of the most prolific and successful printers and publishers of the 15th century, shaping the German-language book market and the incunable period like no other. incunable are books printed before 1500. Between 1475 and 1493, he produced around 240 of them in various editions in his Augsburg printing workshop, which had its own paper mill. He focused on the contemporary demand and therefore concentrated primarily on German and Latin devotional but also theological practical literature. On November 18, 1480, he published the so-called Augsburg Passion, containing a true medieval bestseller: Heinrich von St. Gallen's treatise on the Passion of Christ, Extendit manum, written at the end of the 14th century – the most widely distributed and best-preserved German Passion narrative of the Middle Ages. It tells the story of the Passion of Christ in a folksy manner, incorporating earlier theological treatises. Anton Sorg illustrated his incunable edition of the popular work with 28 full-page, vibrantly colored woodcuts and a large yellow-pink champie initial that marks the beginning of Heinrich's text after the rubricated preface.

Codicology

Alternative Titles
Augsburger Passion von Anton Sorg
Hienach volget ein loeblicher Passion nach dem text der vier ewangelisten mit der außlegung der heyligen lerer
Extendit manum
Size / Format
224 pages / 23.7 × 15.4 cm
Origin
Germany
Date
November 18, 1480
Language
Illustrations
28 full-page hand coloured woodcuts and 1 large-format champie initial
Content
Heinrich von St. Gallen's treatise on the Passion, “Extendit manum”
Artist / School

Available facsimile editions:
The Augsburg Passion from 1480 – Gustav Kiepenheuer – 4 Inc.c.a. 169 – Bayerische Staatsbibliothek (Munich, Germany)
Gustav Kiepenheuer – Potsam, 1924
Limited Edition: 200 copies (No. 151-350)

The Augsburg Passion from 1480 – Gustav Kiepenheuer – 4 Inc.c.a. 169 – Bayerische Staatsbibliothek (Munich, Germany)
Gustav Kiepenheuer – Potsam, 1924
Limited Edition: 100 copies (No. 51-150)

The Augsburg Passion from 1480 – Gustav Kiepenheuer – 4 Inc.c.a. 169 – Bayerische Staatsbibliothek (Munich, Germany)
Gustav Kiepenheuer – Potsam, 1924
Limited Edition: 50 copies (No. 1-50)
Detail Picture

The Augsburg Passion from 1480

Noli Me Tangere – Do Not Touch Me!

After Jesus has risen and his tomb has been found empty, Mary Magdalene (left) mourns her loss in a garden near the burial site. There she encounters the Risen One (right), but at first mistakes him for the gardener and asks if he perhaps knows what has happened to the missing body. Christ then addresses her by name, thereby revealing himself to her. When she tries to embrace or kiss him in joy, he rejects her with the words: “Noli me tangere” – “Do not touch me.” However, this is not a general prohibition against touching. Rather, she is not to hold him back from ascending to his Father in heaven. The saying is also interpreted as a call to keep the deceased in one’s heart and to believe even without physical “proof.”

The Augsburg Passion from 1480 – Gustav Kiepenheuer – 4 Inc.c.a. 169 – Bayerische Staatsbibliothek (Munich, Germany)
Single Page

The Augsburg Passion from 1480

The Last Supper

Depicted with a cruciform halo on the central axis of the miniature, Jesus sits with his twelve disciples around a large table. The lamb and bread on the table identify this gathering as a Passover meal, thus referring to the disciples’ Jewish faith at that time – a common medieval depiction of the Last Supper.

Jesus appears to have just announced to his followers the betrayal by one of them and his subsequent death, and now reaches for the bread and cup, which he describes as his body and blood, to proclaim the “New Covenant.” While most of the disciples look worried and Jesus’ favorite disciple, John, seeks closeness to him, the traitor Judas, at the bottom right, is notably depicted without a halo and struggling to find the right words.

The Augsburg Passion from 1480 – Gustav Kiepenheuer – 4 Inc.c.a. 169 – Bayerische Staatsbibliothek (Munich, Germany)
Facsimile Editions

#1 Die Augsburger Passion von 1480 (Cardboard Edition)

Gustav Kiepenheuer – Potsam, 1924

Publisher: Gustav Kiepenheuer – Potsam, 1924
Limited Edition: 200 copies (No. 151-350)
Binding: Paperback
Commentary: 1 volume by Kurt Pfister
Language: German
1 volume: Exact reproduction of the original document (extent, color and size) The facsimile edition reproduces the woodcuts from the 1480 incunable. They are accompanied by Martin Luther's translation of the Passion of Christ, which appeared in the September Bible in 1522.
Facsimile Copy Available!
Price Category: €€
(1,000€ - 3,000€)

#2 Die Augsburger Passion von 1480 (Standard Edition)

Gustav Kiepenheuer – Potsam, 1924

Publisher: Gustav Kiepenheuer – Potsam, 1924
Limited Edition: 100 copies (No. 51-150)
Binding: Hand bound in half parchment
Commentary: 1 volume by Kurt Pfister
Language: German
1 volume: Exact reproduction of the original document (extent, color and size) The facsimile edition reproduces the woodcuts from the 1480 incunable. They are accompanied by Martin Luther's translation of the Passion of Christ, which appeared in the September Bible in 1522.
Facsimile Copy Available!
Price Category: €€
(1,000€ - 3,000€)

#3 Die Augsburger Passion von 1480 (Luxury Edition)

Gustav Kiepenheuer – Potsam, 1924

Publisher: Gustav Kiepenheuer – Potsam, 1924
Limited Edition: 50 copies (No. 1-50)
Binding: Hand bound in pigskin
Commentary: 1 volume by Kurt Pfister
Language: German
1 volume: Exact reproduction of the original document (extent, color and size) The facsimile edition reproduces the woodcuts from the 1480 incunable. They are accompanied by Martin Luther's translation of the Passion of Christ, which appeared in the September Bible in 1522.
Facsimile Copy Available!
Price Category: €€
(1,000€ - 3,000€)
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