The Willehalm - Wolfram Von Eschenbach
A heroic novel written 800 years ago, whose plot is set another 400 years earlier – and yet full of modern themes of the greatest topicality: this is the Willehalm by Wolfram von Eschenbach (1170-1220). The conflict is set around Willehalm and his wife Gyburc, who was the daughter of the Muslim king Terramer, but had herself baptized and married Willehalm. Happy and unhappy love, intricate and problematic kinship relations, and a surprisingly nuanced picture of Islam as a religion with ethical obligations to be respected are discovered by the reader in one of the most important verse epics of Middle High German literature. In this, the most beautiful edition of Willehalm, the themes find a congenial representation in 117 fabulous miniatures: even the horses seem to be able to tell their own version of the captivating events between love, violence, and death.
The Willehalm - Wolfram Von Eschenbach
This courtly epic is perhaps the most famous of the Middle Ages and ranks among the most popular pieces of poetry in history. It was written in the early 13th century by Wolfram von Eschenbach (1170–1220), possibly the foremost representative of Middle High German epic literature. Although little is known about his life, we may assume that he was a member of the nobility. His outstanding literary works have inspired writers throughout the centuries.
A German Heroic Epic with Golden Pictures
Wolfram patterned his famous work on a 12th century French chanson de geste, a kind of warrior epic poetry. After his defeat near Narbonne and Carcassonne in 793, Willehalm, a hero based on the historic figure of William of Orange, halts the march of the Saracens. He defends his wife Gyburc, the baptized daughter of the pagan King Terramer who arrives with a pagan army to free her; Gyburc had previously liberated Willehalm from captivity and followed him to his homeland. In the first battle, the Christians are defeated. Now young Rennewart, Gyburc’s brother, enters the scene. Fighting side by side with Willehalm in the second battle and delivering crushing blows with his mace, he leads the Christians to victory. In Willehalm the struggle between Christians and pagans, a popular theme of Middle High German poetry, corresponds to a battle between the realm of God and that of the Devil in accordance with the crusaders’ ideology. Nonetheless, Wolfram breaks with this classical way of thinking. For the first time, the pagans are given their own religious, ethical significance. They are regarded as creatures of God and treated on an equal footing with the Christians. Closely interwoven with classical elements of courtly romance, such as the hero courting his beloved young lady of the nobility, the writer draws a fascinating picture of courtly life in the Middle High German language.
117 Golden miniatures
Our manuscript constitutes possibly the finest version of the epic and clearly owes its impressive appearance to its exuberant decoration: countless colored initials, 22 deluxe initials and no less than 117 miniatures illustrate the fascinating epic tale and also introduce the reader to the exciting world of courtly love.
Codicology
- Alternative Titles
- Willehalm - Wolfram von Eschenbach
- Size / Format
- 702 pages / 31.0 × 22.0 cm
- Origin
- Germany
- Date
- Around 1320
- Epochs
- Style
- Genre
- Script
- Gothic cursive
- Illustrations
- 117 miniatures, 15 initial letters
- Artist / School
- Wolfram von Eschenbach (1170–1220) (author)
The Willehalm - Wolfram Von Eschenbach
Willehalm Jousting
Wearing a great helm and otherwise dressed in 14th century armor, Willehalm unhorses his opponent against a brilliantly burnished gold background. Identified with the crescent-and-star associated with the Turks, the “pagan” rider is shown toppling from his saddle and has been struck with such violence that his helmet has fallen off. Wolfram von Eschenbach’s chivalric epic provided medieval artists with plenty of opportunities to depict the life of the medieval nobility in such scenes.
The Willehalm - Wolfram Von Eschenbach
Willehalm and Rennewart before the Gates of Oransche
After assuming command of the host of the Franks, Willehalm and his companion Rennewart lead this army to his capital of Oransche, which is besieged by Muslim forces under King Terramer and King Tibalt. They find the city in flames after an assault – only the castle of Glorjet is spared – while the pagans have withdrawn to their ships to resupply themselves.
The bright clothing, flowing curls, and serene facial expressions of the figures belie the urgency of this scene. Numerous figures are bathed in red flames as those in the castle, which is differentiated from the rest of the city by color, and those outside the walls look on helplessly. The scene seems to pop out from its golden background as the towers and walls of the city exceed the simple blue frame.
#1 Wolfram von Eschenbach: Willehalm
Language: German
The commentary volume comprehensively explains the contents of the manuscript, the history of the hero, and all the miniatures.
(1,000€ - 3,000€)
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